“Criticism is easy, but art is difficult.”

Two days ago, I finished a long series of Giselle performances — twenty-six in total, including four in the demanding “pas de deux des vendangeurs” (pesant pas de deux). What stayed with me from this run is a phrase I first heard from my French host family when I arrived in France about fifteen years... Continue Reading →

Reflections on Time, AI, and Ballet

A ballet career is intense and deeply demanding. While caught up in the whirlwind of rehearsals and performances at the Opera, we often operate in a kind of survival mode — with little mental space to think, and even less energy to move forward on anything outside of the stage. The unexpected downtime from my... Continue Reading →

Holiday in Strasbourg with my family

After 18 performances of Sylvia and around 20 tax declarations completed for my clients, this trip to Strasbourg with my family feels especially rewarding. The last time I visited Strasbourg was 14 years ago, with my host family. I still remember discovering the city for the first time—its charming half-timbered houses surrounded by golden autumn... Continue Reading →

Replacement in Bluebird

Life in a theatre is always changing. I thought I had finished all my Bluebird performances, but one day during a rehearsal of Sylvia at the Opéra Garnier, I saw a member of the direction walking straight towards me in the Petipa studio, looking a little panicked. They told me: “You have to go to the Lifar studio... Continue Reading →

A little break…

This week, I completed my second and final performance of Nureyev’s Bluebird pas de deux — and I think it went a bit better than the first one! Right after a performance, I never quite know how it went until I hear back from the ballet masters, friends, colleagues, and see any videos that might come my... Continue Reading →

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